School Acoustics

School Acoustics

Whether it is the introduction of acoustic treatment to control high levels of sound reverberation in a gymnasium or drama hall, sound absorbers to improve speech intelligibility within the classroom or a custom designed practice room or recording studio for the music department, Kestrel Acoustics have a wealth of experience dealing with the control of sound within the educational environment. All of our recommendations are aimed at ensuring compliance with the requirements of Building Bulletin 93, Acoustic Design of Schools.

There are two potential problems with acoustics in schools. The first is reflected sound and the need to increase the amount that is absorbed. The second relates to sound transmission and the structural ability of a room or space to either contain or prevent the ingress of sound intrusion. Let's look at each of these in a bit more detail.


Sound Absorption

Classrooms, assembly halls and gymnasiums are, of necessity, constructed with hard, robust surfaces to withstand the rigours of school life. This may afford a degree of decorative and structural longevity, but it provides very poor acoustics. This is due to sound impacting upon the hard surfaces and being reflected back into the room in a new direction, causing a build up of reverberant sound that mixes with direct sound. The result is an acoustic muddle that makes communication and listening difficult.

So what's the solution?
The first step is to assess the existing reverberation time (RT) for the space. This is the time taken in seconds for the average sound energy created within the space, to decrease to one millionth of it's original steady level, after the source has ceased ie. the time taken for a 60dB decrease to take place. The RT can be measured directly by charting the decay of sound following a gun shot or balloon burst, or it can be estimated from the following: R = 0.16V ÷ S`a where R is the reverberation time in seconds, V is the room volume in m³, S is the surface area of the space in m² and`a is the average room absorption coefficient. Our approach is to create a simple acoustic model, based on the latter, that will allow us to assess both the existing situation and predict the improvement.

What is the absorption coefficient?
This is the amount of sound energy that can be absorbed by a surface or material. This is expressed in values between 0 and 1. The former absorbs none of the sound incident upon it and the latter will absorb all of the sound. Our computer models consider the full sound frequency spectrum for surfaces and materials as the absorption coefficient will vary over the sound spectrum. Sound absorption is generally poor at low frequency but usually much better at high frequency.

How do we determine the correct RT?
Building Bulletin 93 makes this very easy as recommended times are tabulated in Section 1, Table 1.5. For example classrooms should generally be <0.8s, assembly halls 0.8 - 1.2s, sports halls <1.5s and music classrooms <1.0s.

With this information we can readily determine how much sound absorption needs to be introduced to comply with BB93. Careful consideration must be given at this point to the selection and positioning of acoustic products within the space, to provide a satisfactory acoustic solution that is also practical and aesthetically pleasing.

Solutions will vary dependent upon many factors and we are always pleased to offer our advice. The products usually proposed are sound absorbers or acoustic curtains, both of which can be found under the 'Products' tab.


Sound Transmission

Problems relating to the unwanted transmission of sound can be attributed to any number of potential areas, such as lightweight wall structures, hollow core doors, single glazed windows or 'flanking paths' via suspended ceilings or timber floors.

How do we fix this?
This needs careful site investigation and the solution will depend on several factors. The assessment will need to consider the sound source and volume, the relative position of the areas where sound is intruding, the construction of the rooms/building and any practical constraints both physically and financially. These will all have to be considered alongside the recommendations in BB93, which advises performance standards for airborne sound insulation between spaces. See Section 1, Table 1.2 with reference also to Table 1.1.

Every situation is different and solutions have to be tailored accordingly, although the principles of acoustic control remain much the same.

Acoustically weak walls can be improved with the introduction of a secondary wall, this could involve just the treatment to a party wall or all the walls within a room. Poor door performance can be rectified by replacement with an acoustic door or, if the budget is tight and the door is fairly solid, it might be improved with the addition of some acoustic seals. Internal windows, particularly between rooms in a music department, can be improved with double or triple glazed arrangements. Sound flanking transmission via ceilings can be improved, either with dense acoustic material laid over the top of an existing suspended ceiling, or with the introduction of an MF ceiling structure (metal frame with several layers of Soundbloc plasterboard) suspended below the existing substrate. An acoustic floor overlay can be used to mitigate the passage of noise via floors, both in terms of airborne transmission and footfall. Where higher levels of sound reduction are required, such as a music practice room or recording studio, a separate acoustically isolated modular room structure may be required. This approach is often termed as a 'box within a box'. Most of the above products can be found under the 'Products' tab.


Building Bulletin 93

The acoustic design of schools is dealt with through the Building Regulations under Building Bulletin 93. With its introduction in July 2003, BB93 has brought about many changes in the design and construction of schools. These changes are far reaching, the old Building Bulletin 87, which BB93 replaces, was a guidance document, whereas the requirements of BB93 are now mandatory.

Building Bulletin 93 aims to:

- Provide a regulatory framework for the acoustic design of schools in support of the Building Regulations.
- Give supporting advice and recommendations for planning and design of schools.
- Provide a comprehensive guide for architects, building control officers, building services engineers, clients and others involved in the design of new school buildings.


Section 1 of the document describes the 'Specification of Acoustic Performance'. This section gives the performance targets for compliance with the Requirement E4 from Part E of Schedule 1 of the Building Regulations 2000. 'Each room or other space in a school building shall have the acoustic conditions and the sound insulation against disturbance by noise appropriate to its normal use'. All school buildings must conform to BB93 and are subject to detailed design checks and on site inspections by building control officers.

The full overall scope and content of BB93 is far too comprehensive to summarise here. The complete document can, however, be found at http://www.teachernet.gov.uk/.

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